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Excited that my painting Gutsy has been selected for The London Group Open 2025. The exhibition will be at the Copeland Gallery in Peckham from 8th-23rd November. Please click here to see the press release from The London Group with full details.
I’ll be showing two new pieces of work in Blue Monkey’s Printworks exhibition at the Emma Mason Gallery in Eastbourne. The show is open 7th-10th and 14th-17th August 2025, all are welcome. Followed by an online exhibition of works in September 2025 at www.bluemonkeynet.org
Great to be showing a framed set of five of my recent paintskin drawings at The Sussex Contemporary 2024. The exhibition includes 170 artworks selected from a submission of over 1400. It is in the Marine Workshops in Newhaven BN9 0DF. All artwork is for sale. Open from 11am-5pm on Sat 12th-Sun 13th, Thurs 17th-Sun 20th and Thurs 24th-Sun 27th October 2024.
Delighted to be showing in The New Immortals curated by Judith Alder at Brighton and Sussex Medical School until 17th May 2024. The exhibition will include a symposium where academics and scientists will respond to the artworks.
I’ll be showing a series of etchings which explore the search for immortality and the dilemmas it creates.
Excited to be selected for Thrown’s Winter Exhibition which launches online on Thursday 16th November at 7pm. I have three of my latest paintings included in the show – Witness, Eyeopener and Heavyweight.
I am really looking forward to showing with Nu Artists in the inaugural exhibition at Gallery 207 in Lewes. We offer a rolling, four-part show with a focus on different artists each week. I’m up first with Caroline Pick for the initial weekend from Thursday 1st to Sunday 4th September. We’ll be showing paintings, limited edition prints and moving image.
I am very happy to have been selected for this year’s Summer Exhibition at the Royal Academy in London. The theme of the show is Climate and the curator is Alison Wilding RA. I will be showing this painting Hazard, a diptych of two varying degrees of risk and danger. The mainly yellow painting has a smooth curve of bulging paint which although seems fragile is stable and secure. Unlike the predominantly black painting which has two main weak points and is clinging on by the skin of its teeth.
I am excited to be showing paintings in Yoolysees an exhibition celebrating 100 years of James Joyce’s Ulysees, curated by Lucy Brennan Shiel. There are over 30 artists taking part and a great programme of events is planned. As a member of Ruddy Cheek Artist Collective I will be responding to Molly’s Soliloquy.